Happy Release Day . . . oh wait.

Today was meant to be the release of Destroyer, the final book in the Shining Ones series. It was a day in the making – everything seemed to be just right like stars in alignment during a solar eclipse and then . . .

Covid-19

Yep. We’re stuck in a world of house arrest, Netflix binging, and a severe lack of toilet paper, and while we’re holed up at Chez Small, I’m trying my best to keep a smile on my face and shrug it all off.

Because things happen. Shit happens and then everything goes to hell in a hand basket. How can I worry about a book release delay when there are literally people the world over strapped to ventilators fighting to take their next breath?

Due to things beyond my control (and some that probably were within my wheelhouse if I was honest with myself), Destroyer is gonna be late.

Right now as of 6:00PM EST, we’re awaiting approval across all platforms to go live for EBOOK ONLY. The print version of Destroyer? I got no clue at this point. I’m still waiting for the proof to show up and as Amazon is shipping all essential items (like medical supplies out first) I can’t make too much of a fuss – it gets here when it gets here and then I hope like hell that it’s okay.

So I’m asking everyone to have some patience this week while we vanquish all the ghosts out of the machine. Destroyer is still set to be available this week, and it’ll be worth the wait.

See you on the other side. – xo shawnee

 

Let’s Talk about Parasite.

By now, everyone has heard about Parasite, the South Korean subtitled dark satire that swept across the Academy Awards board this year. It not only won ‘Best Picture’, but also picked up multiple other accolades including ‘Best Director,’ ‘Best Original Screenplay,’ and ‘Best International Feature Film’. Even the President of the United States got in on the Parasite action although in Trump xenophobic fashion criticized a movie that he, in fact, didn’t even watch

Well, I actually did watch Parasite. I was hardly going to pass up a South Korean directed and produced movie given my obsession with K-dramas and everything Korean, but let me tell you, Parasite is NOT a K-drama. I repeat . . . SO NOT.

Not that I didn’t know that going in. I did. I love quirky and dark. I thought I was prepared.

I WAS SO NOT.

A quick overview for those who haven’t seen it – Parasite is a movie about a Korean family barely existing in the slums of Seoul who scam a rich family by taking up servant roles in their household. It’s got hints of The Riches at this point, but from there on out, it goes weird then twisted and then, well, disturbed.

I was disturbed. I walked out of the movie with the husbot who immediately asked me what I thought and my hollow answer was, “I don’t know.” I was confounded, uncomfortable, disconcerted, all of that plus physically itchy. Then it was my husband’s turn to be bewildered as we sat over an Indian meal after the movie (the second time we’d eaten out that day in fact) and I looked up at him in tears.

“What’s wrong?” he asked.
“I’m a horrible person,” I replied.
“Awww, J*&y, you’re not. Why would you say that?”
“Because we’re those people.” I let out an uncomfortable laugh. “We live in our bubble and I created that bubble. We are two white privileged people and there are people out there suffering. We’re not doing enough. We just . . . aren’t.”

I was sensitive and raw and about 30 seconds away from insisting we sell our house and live more simply because it was disgusting to have so much when so many have so little.

A movie did that. A movie made me feel unworthy yet privileged at the same time.

Because the fact is a lot of us don’t see our privilege. We take lots of things for granted: clean water, sanitation, food, our roof over our heads, a job, a spouse, our children, our friends . . . our lives here in the U.S. are filled with privilege, but we don’t want to pay additional taxes to ensure universal healthcare or to ensure that children get a hot meal every day. Because we Americans think that everyone should pay their own way and if they don’t then that’s their problem, not our problem.

And that’s the most disturbing part of this whole thing.

I could be more clever and talk about all the double entendres, the metaphors, and the nuances of what is a brilliant film, talk about what it means to be a parasite and who the actual parasite is, but there will be plenty of blog posts out there already doing that. That’s not what this is.

This is a call for everyone to go watch Parasite and grasp what out Western privilege has cost us . . . our humanity.

Yet, I have to believe we can change. I have to believe that there is still hope for us yet, that we can do more . . . we can act more. We can search out the desolate and befriend them, we can work to alleviate those suffering among us, we can dig deep into our own communities and make a difference . . . hell, we can even put a compassionate humanitarian in the Oval office if we want it bad enough.

We don’t have to live in a movie like Parasite. We can be so much more.

Go see the movie and judge for yourself. You’ve been warned.

 

 

K-Dramas = New Obsession

Happy Friday, everyone!

Starting this week, I’m going to start running some Top 5 lists while I’m waiting on edits from Amanda on Destroyer. This one is near and dear to my heart, and in case you haven’t been following my posts on Facebook recently, I’m going to give you one hint, here he it is:

I’ve got the worst case of Chen Kun on the brain EVER closely followed by Eun-Woo Cha, and God, I hate saying this out loud, but also Jingting Bai who is frankly young enough that it makes me feel like a letchy old lady. Ew. I haven’t been this fixated since probably Sons of Anarchy or David Tennant in DR WHO. I’ve got it bad. I’m so obsessed with Korean and Chinese period dramas that I’ve taken over control of the TV in my household and I’ve eaten waaaaay too much pot noodle and kimchi for one non-Asian household. It’s seriously so bad that I’m considering learning Korean or Mandarin Chinese just because that’s what you do when NETFLIX FEEDS YOU CRACK TELEVISION. OH MY GOD.

Yes, I’ve been bitten by the K-Drama bug. It started off harmless enough with binge watching Love Alarm and now I’ve moved onto a 56 episode Chinese drama THAT WILL TAKE ME FOREVER TO FINISH IT. Who makes a 56 episode season? The Chinese, that’s who. Kill me now. Wait, don’t. I have to get to the end and see if Ning Yi and Feng Zhi Wei finally make it (it only took them 40 episodes to hug, people . . .)

I should point out that technically, The Rise of Phoenixes that I’m talking about is not in fact a K-drama but a Chinese period drama so I’m cheating a bit. At this point, I might’ve lost about 50% of my readers who have no idea of what I’m talking about, but here it is in a nutshell:

K-Dramas stands for Korean Drama also known as Korean drama televisions series televised in . . wait for it . . Korean. They have made a bit of a resurgence more recently outside of Korea due to the K-pop and K-culture phenomenon and often are a love story that plays out in a contemporary setting and deals with relationships, family, duty, and other themes prevalent in Asian culture. They always have pretty boys and a girl who must choose between two or more possible love interests. The filial duty aspect also takes on a life of its own almost like another character in the story line especially when you start drilling down into period dynasty dramas. They are the slowest burn romance you’ll ever come across so if you are impatient, you will be screaming at your TV, trust me. But if you’re good for sacrifice, duty-bound tragedy, celestial destiny, and a whole host of wacky martial arts moves then read on. 

I’m going to make a contentious statement right here: The best TV on Netflix hands down RIGHT NOW is Asian television. Everything else that Netflix has produced as original content has been pretty lackluster and I’d even put The Witcher in that category (feel free to send me hate mail). If you want compelling, beautiful TV that delves into family, duty, honor, and personal sacrifice, Netflix has got a great selection to choose from.

Here are my current Top 5 MUST WATCH Asian TV Series on Netflix:

1) The Rise of Phoenixes 

I will say this: don’t start with this series. Although it’s my favorite so far, it is hard going to begin with and if you’re not used to watching subtitled content you will drive yourself insane and give up quickly. Try something a little softer, like Rookie Historian, which is my no. 2. It’s also a slow burn, but I think is a bit more easier on American audiences. If you delve into The Rise of Phoenixes be prepared for the time commitment and to fall head over heels for Chen Kun and Ni Ni who make this story so compelling. The cast overall is superb and you will find that you quickly care about all the characters and worry every time that someone is going to die ala George RR Martin. I’m going to be sad when I’m done with this one.

2) Rookie Historian Goo Hae Ryung

Until I started The Rise of Phoenixes, this was it for me. I really thought no one could top Historian Goo and Prince Yi. Equal parts funny and heart felt, again, the whole honor and duty-bound aspect of the show really cuts you to the core. The thing that I failed to mention above in The Rise of Phoenixes is that we’re also talking about very strong and clever female protagonists who still strive to have their own identities and desires separate from the main love interest . . . even if it means not getting the guy in the end. I just loved this one so much and it made me an instant Eun-Woo Cha fan who is also in a K-pop band. Go figure.

3) When the Camellia Blooms

True fact: my husband has been known to run around the house shouting, “Dong Baek!” It’s kinda cute and annoying at the same time. This series isn’t so much of a K-drama as it is a romantic comedy mixed with some thriller moments. What I love about this particular show is that it’s more realistic than the other picks on my list. It deals with a single mother raising her son in a small Korean coastal town and the way she struggles to be accepted in the close-knit community while attracting the single son of the local matriarch while also trying not to be killed by a murderer. It was a refreshing change from some of the more sickly sweet teen K-dramas you might see on Netflix.Very funny. 

3) Cheese in the Trap

We are a torn household on this show. I really liked it, my husband really didn’t. He took offense to the nerdy up-tight love interest, Jung Yoo, being too clinical, almost “on the spectrum” with the way he treated Hong Seol given the fact that my husband is himself a super nerd who can be socially shy shall we say. I actually thought it was a great college-level-girl-has-to-choose-her-destiny but wasn’t thrilled by the fact that it ends on a cliff hanger. I suspect that this could get another season. If it doesn’t, I’m going to be pissed (just like Love Alarm).

4) Cinderella and the Four Knights

If you’ve ever watched Eastenders, then this is the Korean equivalent. If you don’t know what I’m talking about just think soap opera. Man, this thing goes on forever about hidden agendas, secrets coming out of the closet, and a whole heap of mean boy syndrome. I’m not sure this one belongs on the list, but I did stay entertained. The husbot gave up and walked away bored. It was almost too much K-drama for him, but I felt like this was a quintessential K-drama at its core and was the best representation of what you get with this genre. I think it’s also easy and disposable if you like romance unlike some of the other ones on my list.

5) There is no number 5 . . . .

I hate when that happens, but alas, I could only recommend 4 for now. I still have a large list to get through and I didn’t want to add a fifth just for list sake. If you want to see what else I’ll be watching here is it – 

  • Chocolate
  • Yanxi Palace: Princess Adventures
  • Eternal Love
  • Romance is a Bonus Book
  • My Sassy Girl
  • One Spring Night
  • My First First Love
  • The Bride of Habaek
  • Mr Sunshine
  • The Princess Weiyoung

 

Let me know what K-dramas you love. Email me at shawnee@shawneesmall.com

xo – shawnee

 

 

 

  

Mars Con or Bust

 

In just a few hours, I’m off to MarsCon.

This is my only book-associated event for all of 2020 and with good reason. As I explained in my first blog post of the year, I’ve been suffering from some autoimmune issues that have been kicking my ass. Well, those same pesky issues are rearing their ugly head this week, and so the fact that I’m limping my way to MarsCon at all is a miracle. Yesterday, I thought I was going to have to cancel altogether, but today, I’m dosing up on the drugs, wearing my vampire sunglasses, forgoing eating, and am going to give it a go.

It means I’m going to be quiet. It means that I’m likely to be cranky. Ooooh look, just like old Goth times! Perfect…not really. It means that I’m not going to be on my A game and that doesn’t make me happy, but at least I should get a medal for showing up. Showing up is half the battle after all.

So. With that in mind, here is where I’ll be if you find to seek me out. I’ll try my best to perk up in your presence.

Friday:

4:00pmRomancing the Reader (Room 8)

Our panelists discuss the power of romance, the range and the voice of the genre, and the blush-inducing conversations!

Saturday:

12:00pmThe Internet: Valuable Research Tool or Kitten Photo Gallery? (Room 6)

Our panelists talk about the most useful resources for authors for research and finding markets. Where do you find the information you want and how useful is it?

3:00pmSocial Media for Authors (Room 4)

Our panelists discuss building a fan base through Facebook, Twitter, Instagram, and other social media platforms. Which social media platforms are helpful and which are a just a waste of a writer’s time?

8:00pmSex & Violence in Fairytales (Room L)

Naughty princes and violent godmothers. In this PG13 session, panelists discuss the role of both sex and violence in the narratives of the Grimm brothers along with other traditional folktales. Issues surrounding why many tales were later sanitized and adapted for the children’s market will also be addressed.

9:00pmWomen on the Dark Side (Room 8)

Not all women artists/creators are about unicorns and glittery vampires and silly pseudo-bondage. Some women create truly dark and challenging art and content, with just enough humor and whimsy to counterbalance all that darkness. Join our panelists as they celebrate the women creators who are creating content that connects with the deeper, darker side of all of us.

See you on the other side . . . or in this case MarsCon.

xo shawnee